La blessure de la passion ne se refermera jamais… bonheur de nos plaies éternelles… nous veillerons toujours dans la clarté de nos crépuscules rouges.
Perle étincelante de mes nuits immortelles, Emblème de mes jours éternels, Tu es venue, scintillant de mille feux, Illuminer mes pas de verre… Tu es venue, mon étoile d’amour, Embraser mon âme tremblante de désir.
In this beautiful short piece from The Janitor’s boy, and Other Poems, little Nathalia tells how she and her friend fell a sudden romantic attraction for a handsome ice-cream seller. Very sensuously, she called him “very scrumptious,” as if he was himself an ice-cream. Here Flatbush is a neighbourhood of Brooklyn in New York City. CONTINUE READING / CONTINUER LA LECTURE…
Attribué à Alexandre Kucharski – Pierre Choderlos de Laclos (1786)
Pierre Ambroise François Choderlos de Laclos (1741–1803) combina une carrière d’officier avec une d’écrivain, et il reste surtout connu pour son fameux roman épistolaire, Les Liaisons dangereuses, paru en 1782. Cependant il composa aussi des poèmes, dont un recueil fut publié en 1908 par Arthur Symons et Louis Thomas. La majorité de ceux-ci traitent de l’amour, souvent sur un ton badin, voire licencieux. CONTINUE READING / CONTINUER LA LECTURE…
Nathalia Crane (1924) – from The Janitor’s Boy, and Other Poems, via Wikimedia Commons
I will present here another girl poet who, like her contemporaries Hilda Conkling and Sabine Sicaud and the next generation’s Minou Drouet, started writing poetry at a very young age. But unlike Hilda Conkling and Minou Drouet, she did not give up poetry in her teenage years, and unlike Sabine Sicaud who died from a horrible disease at age 15, she lived for 85 years, writing poems and novels, also working as a professor of English at San Diego State University. CONTINUE READING / CONTINUER LA LECTURE…
Frank Holl – Faces in the Fire (1867) – The Ashmolean Museum of Art and Archaeology, University of Oxford
The English writer Thomas Penson De Quincey (b. August 15, 1785; d. December 8, 1859) knew fame with his Confessions of an English Opium-Eater, published anonymously in two parts in the September and October 1821 issues of the London Magazine, then released in book form in 1822. In 1845, De Quincey published Suspiria de Profundis, advertised as being a sequel to the Confessions. Then in 1856 he revised his Confessions, which became much longer. Since then, the two are usually published together, their complete titles being Confessions of an English Opium-Eater, Being an Extract from the Life of a Scholar, and Suspiria de Profundis: Being a Sequel to the “Confessions of an English Opium-Eater.”CONTINUE READING / CONTINUER LA LECTURE…
Children maypole dancing (1900–1910) – State Library of Queensland
Before being devoted to the labour movement, May Day was an old Celtic celebration of spring and fertility, Beltane; throughout the centuries it evolved, with the maypole dancing by girls and the election of the May Queen, but it kept its hidden symbolism of youthful love. Crowley’s poem gives it back its ancient pagan meaning. CONTINUE READING / CONTINUER LA LECTURE…
Mon cœur est un immense clavier dont les mots sont les touches, et ma tendresse et ma peine et ma passion de la musique y jouent pour moi. Ce n’est pas de ce clavier-là que je rêve, c’est de celui de ma forêt.
— Minou Drouet, Lettre à Élise Nat, Arbre, mon ami, p. 99
Minou (Marie-Noëlle) Drouet, née le 24 juillet 1947, connut un immense succès dans la deuxième moitié des années 1950 grâce à ses poèmes écrits entre ses six et douze ans. Elle fut également l’objet de violentes controverses dans les médias et les milieux littéraires. CONTINUE READING / CONTINUER LA LECTURE…
Artist unknown – Hilda Conkling (1920) – from Poems by a Little Girl (via Wikimedia Commons)
Hilda Conkling (October 8, 1910 — June 26, 1986) was an American poetess, who composed all her poetry between the ages of four and fourteen. CONTINUE READING / CONTINUER LA LECTURE…
Alex Stevenson Diaz – Young Girl – from iamachild.wordpress.com
I present again an erotic poem from White Stains. For Aleister Crowley, love is passionate, intense, erotic, but always short-lived, as he repeats “we must part, and love must die.” CONTINUE READING / CONTINUER LA LECTURE…