The fourth part of Lava Lane, and Other Poems (1925), titled Saints and Reformers, contains six poems. Three of them explicitly mock religion. “Sunday Morning” tells of God’s activities at that moment, such as “Counting the Yiddish babies” or “Waving the popcorn scepter,” and finally “God, on a Sunday morning, / Reaching the dotage stage.” In “The Making of a Saint,” a woman dies in a garret, so “The lords of the rafters were sorry— / The spider, the moth, and the mouse,” and they manage to obtain some advantages for themselves and their garret by making her a saint. In “The Edict,” an editor advises a saint on how to write his story, so that it will be widely read. CONTINUE READING / CONTINUER LA LECTURE…
The visionary poet and painter William Blake (b. 28 November 1757, d. 12 August 1827) went largely unrecognised during his lifetime, but he is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. In the poem “A Little Girl Lost” published in Songs of Experience (1794), he envisages a future where children and adolescents will freely enjoy nudity and love, and the religious condemnation of these pleasures will cause indignation. He would have been dismayed to notice that 225 years after publishing that poem, things have not much progressed in the Anglo-Saxon world. CONTINUE READING / CONTINUER LA LECTURE…
Ce poème défend la pureté de la nudité. Mais les ignorants n’y verront que la “sexualisation” des jeunes filles.
La pureté est toujours nue,
Nue car pleine de retenue ;
Mais personne ne le comprend,
On la couvre de vêtements.