In a recent post, I gave some excerpts of love letters exchanged by Katharine Bradley and Edith Cooper in 1885, the year they celebrated their private marriage. Today, I give two beautiful short quotes from further love letters. Again, they are taken from their complete correspondence edited by Sharon Bickle, and I will refer to these letters by their number in that collection. CONTINUE READING / CONTINUER LA LECTURE…
Katherine Harris Bradley (1846–1914) and Edith Emma Cooper (1862–1913) had a triple relation: aunt and niece, lovers, and collaborative authors of poetry and drama. Their correspondence has been gathered by Sharon Bickle, and I will refer to their letters by their number in that collection. Many of them express their love in a lyrical way, and this is most striking for the year 1885. CONTINUE READING / CONTINUER LA LECTURE…
I present today my last selection from Underneath the Bough, a love poem in “The Third Book of Songs” in that collection. It must be understood within the context of the lesbian relation between the two authors, Katharine Bradley and Edith Cooper. The poet loves a silent girl, but “her royal, jewelled speechlessness” does not mean that she does not reciprocate: “It were not right / To reckon her the poorer lover; / She does not love me less.” The two are like birds, looking for intimacy: “what is more dear / Than a cherry-bough, bees feeding near / In the soft, proffered blooms?” The young girl “is a dove” who must liberate herself from barriers and give herself fully to the power of love: “My close-housed bird should take her flight / To magnify our love.” CONTINUE READING / CONTINUER LA LECTURE…
From “The Second Book of Songs” of Underneath the Bough, here is a poem devoted to a deceased little girl. CONTINUE READING / CONTINUER LA LECTURE…
From “The Third Book of Songs” of Underneath the Bough, I present today what I consider one of the most important poems by Katharine Bradley and Edith Cooper. In it, they defiantly proclaim in front of the world, “pressing sore,” their beautiful forbidden passion: “My Love and I took hands and swore, / Against the world, to be / Poets and lovers evermore,” laughing, dreaming and singing to the symbols of death, “Indifferent to heaven and hell.” They seek the “fast-locked souls” faithful to poetry, “Who never from Apollo fled.” CONTINUE READING / CONTINUER LA LECTURE…
In 1893, Katharine Bradley and Edith Cooper published, under their pen name Michael Field, a collection of poems titled Underneath the Bough. Their two previous volumes of poetry Long Ago (1889) and Sight and Song (1892) had as aim for the first “to express in English verse the passionate pleasure” of the works of the Greek poetess Sappho (edited and translated by by Henry Thornton Wharton), and for the second “to translate into verse what the lines and colours of certain chosen pictures sing in themselves;” on the other hand this third collection had no such scholarly purpose, its poems were like songs devoted to love and joy. CONTINUE READING / CONTINUER LA LECTURE…
My third selection from the collection Long Ago is a sapphic poem. Young girls make offerings to the poetess, who wonders what to give them in return. She will “sing of their soft cherishing” and “of marriage-loves;” the highest praises would crown them, as the rose “is not so good, so fresh as they,” “opening their glorious, candid maidenhood.” CONTINUE READING / CONTINUER LA LECTURE…
I present here my second selection from the collection Long Ago published in 1889 by Katharine Bradley and Edith Cooper under the pen name Michael Field. Addressed to a young man, the poem praises his future bride, a most lovely girl, there could not be a better choice. CONTINUE READING / CONTINUER LA LECTURE…
Throughout their adult life, Katharine Bradley and her niece Edith Cooper lived together as lovers and, under the pen name Michael Field, wrote jointly poetry and drama. One generally assumes that their love started in a Platonic mode when Edith was a teenager, and became sexual when she reached adulthood. CONTINUE READING / CONTINUER LA LECTURE…
The English poet and playwright Katharine Harris Bradley was born on October 26 or 27, 1846, the second daughter of Charles Bradley, a tobacco merchant, and Emma Harris. Her father died in 1848. Her elder sister Emma, born in 1835, married John Robert Cooper in 1860. Their first daughter Edith Emma Cooper was born on January 12, 1862. After the birth of her second daughter Amy Katharine in 1865, Emma Cooper became invalid for life. In July 1867, Katharine Bradley and her widowed mother joined the Cooper family, and Katharine took care of the household and her two nieces. Her mother Emma Harris died in 1868, leaving Katharine as legal guardian of Edith and Amy. CONTINUE READING / CONTINUER LA LECTURE…
