No good work of love goes unrewarded with blood libel

Does our epoch love children? all children? Official opinion will answer “yes,” but we can look behind this façade. Rather than love for real children, it is rather a worship for an idealised image of childhood innocence. Behind it lurks a pornographic obsession with defilement and sadism. We can see this through the accusations raised by various authors against known men of the past who were known for loving children. CONTINUE READING / CONTINUER LA LECTURE…

Aleister Crowley parodies Lewis Carroll

John Tenniel - The White Knight, In Through the Looking-Glass
John Tenniel – The White Knight, In Through the Looking-Glass, and What Alice Found There (1897)

Crowley’s The Sword of Song (1904) consists mainly of two long poems, ‘Ascension Day’ and ‘Pentecost,’ both critical of Christianity; they are preceded by an Introduction and followed by lengthy notes. The title, with its subtitle and long dedication, is itself rather ironic: CONTINUE READING / CONTINUER LA LECTURE…

The unloved and untouched children of sex panic

Edvard Munch - The Scream
Edvard Munch – The Scream (1893) – from Wikimedia Commons

In a gruesome country called “the United Kingdom of Great Britain and Northern Ireland” reigns a horrible panic about children and sex. Anyone can come forward and accuse a dead person of the most bizarre form of sexual abuse, then he or she will automatically be believed and granted the “victim status,” an easy and quick way to gain public recognition. The discredited theories of “recovered memories,” which led to thousands of broken lives and shattered families in the USA, still enjoy public support in the “UK,” and are used to accuse ever more people of sexual abuse. Journals and the Internet have been filled with conspiracy theories about Lords, Members of Parliament, even ministers, involved in “paedophile conspiracies” to rape children in various ways, in particular by inserting tools into their anuses. This land has a distinctive institution, the gutter press, generally printed in “tabloid” format, whose so-called “journalists” can make a career by spreading the wildest nonsense. CONTINUE READING / CONTINUER LA LECTURE…

Poetic Eros

Odilon Redon - The birth of Venus
Odilon Redon – The birth of Venus (1912) – from WikiArt

In the post “Components of Love” I presented the three types of love and friendship according to the ancient Greeks:

  • Eros is sexual love, generally driven by beauty; it is discriminating and it can be versatile, blooming or withering fast.
  • Storge is natural love, as it exists between members of a family, or the love of parents for children; contrarily to Eros, it is unconditional and long-lasting, and it grows slowly.
  • Philia is friendship, generally within a group, mediated by activities shared in common; it includes also philanthropy and humanitarian work.

The ancient Greeks also used the word Agape for affection and tenderness, similar to Storge. Then in Christianity, this word evolved to mean a purely spiritual, selfless and undemanding love embracing all humanity; in fact, such an ideal love is extremely rare in real human beings. CONTINUE READING / CONTINUER LA LECTURE…

Le Vin, par Charles Baudelaire

Saturno Buttò - Mixed technique on paper
Saturno Buttò – Mixed technique on paper cm. 58×39 – from

Baudelaire publia en 1851 le court essai Du vin et du haschisch, comparés comme moyens de multiplication de l’individualité, qui étudie les effets des deux drogues sur la personnalité, le comportement et l’inspiration. Plusieurs éditions l’incluent dans Les Paradis artificiels, bien qu’il n’en fasse pas partie. CONTINUE READING / CONTINUER LA LECTURE…

Un rêve d’André Breton

Toyen - Portrait d'André Breton
Toyen – Portrait d’André Breton (1950)

André Breton ne fit jamais grand cas des enfants et de leurs capacités. Quand il cherchait un poète ou un artiste, c’était un homme, éventuellement une femme, jamais un enfant. Ainsi quand parurent les premiers poèmes de Minou Drouet, âgée de 8 ans, il proclama d’emblée, sans prendre la peine d’enquêter sur les faits, qu’il était impossible qu’une enfant de cet âge pût écrire par elle-même ces poèmes. CONTINUE READING / CONTINUER LA LECTURE…

Mark Twain on the sexual superiority of women and girls

Mark Twain and Dorothy Quick
Samuel Clemens (Mark Twain) and Dorothy Quick aboard the Minnetonka (July 1907) – from

Samuel Langhorne Clemens (b. November 30, 1835; d. April 21, 1910), the American writer and humorist better known by his pen name Mark Twain, was a free mind who evolved towards radicalism as he aged, opposing slavery and American imperialism, promoting civil rights and hailing labour unions. Although he was raised as a Presbyterian, he became distrustful of dogma and established religion. He did not publish in his lifetime his most controversial works about religion, and some of them were withheld from publication after his death, because his family disapproved them, notably: the novel The Mysterious Stranger published in 1916, the short story Little Bessie first published in 1972, and the collection of essays Letters From The Earth, written around 1909 and published only in 1962. CONTINUE READING / CONTINUER LA LECTURE…

De Quincey et la petite fille misérable, d’après Baudelaire

Zhenya Gay - illustration for Confessions of an English Opium-Eater by Thomas De Quincey
Zhenya Gay – illustration pour Confessions of an English Opium-Eater by Thomas De Quincey (1950) – The Heritage Press, New York

Après le recueil de poèmes Les Fleurs du mal, l’œuvre la plus célèbre de Charles Baudelaire est l’essai Les Paradis artificiels, publié en 1860, consacré à l’usage récréatif des drogues, plus précisément du haschisch et de l’opium. Il connut un large succès, il reste un exposé classique des effets de la drogue, comme l’exaltation, puis la dépendance et la souffrance. D’ailleurs l’expression “paradis artificiels” est couramment utilisée pour désigner l’utilisation de drogues (en particulier hallucinogènes) pour stimuler l’imagination ou enivrer les sens. CONTINUE READING / CONTINUER LA LECTURE…

The wretched little girl in De Quincey’s Confessions

Frank Holl - Faces in the Fire
Frank Holl – Faces in the Fire (1867) – The Ashmolean Museum of Art and Archaeology, University of Oxford

The English writer Thomas Penson De Quincey (b. August 15, 1785; d. December 8, 1859) knew fame with his Confessions of an English Opium-Eater, published anonymously in two parts in the September and October 1821 issues of the London Magazine, then released in book form in 1822. In 1845, De Quincey published Suspiria de Profundis, advertised as being a sequel to the Confessions. Then in 1856 he revised his Confessions, which became much longer. Since then, the two are usually published together, their complete titles being Confessions of an English Opium-Eater, Being an Extract from the Life of a Scholar, and Suspiria de Profundis: Being a Sequel to the “Confessions of an English Opium-Eater.” CONTINUE READING / CONTINUER LA LECTURE…