This is one of the first two published poems of Thompson; it first appeared in 1888 in Merry England, the journal edited by Wilfrid Meynell. While he was a vagrant and beggar in London, Thompson had sent to Meynell a dirty envelope containing two poems, one of which was ‘Dream-Tryst,’ and a prose essay; Meynell put them aside for a few weeks, then published the three texts in the issues of April, May and June 1888. CONTINUE READING / CONTINUER LA LECTURE…
In these verses, probably written around 1885, Dowson tells us that there is no sweeter music than a child’s name, it illuminates the poet’s life and relieves his heart of all sorrow. It is a sacred charm that guards him from harm. CONTINUE READING / CONTINUER LA LECTURE…
In 1893, Katharine Bradley and Edith Cooper published, under their pen name Michael Field, a collection of poems titled Underneath the Bough. Their two previous volumes of poetry Long Ago (1889) and Sight and Song (1892) had as aim for the first “to express in English verse the passionate pleasure” of the works of the Greek poetess Sappho (edited and translated by by Henry Thornton Wharton), and for the second “to translate into verse what the lines and colours of certain chosen pictures sing in themselves;” on the other hand this third collection had no such scholarly purpose, its poems were like songs devoted to love and joy. CONTINUE READING / CONTINUER LA LECTURE…
Voici un court poème de Chansons des champs, la deuxième partie du recueil Les pommiers en fleur : idylles de France et de Normandie d’Émile Blémont. CONTINUE READING / CONTINUER LA LECTURE…
Poets and Lovers vit depuis deux ans, fleur fragile au futur incertain, soumise aux menaces d’un environnement hostile. Elle peut mourir, mais elle renaîtra alors certainement. CONTINUE READING / CONTINUER LA LECTURE…
“First of all, you must never speak of anything by its name—in that country. So, if you see a tree on a mountain, it will be better to say ‘Look at the green on the high’; for that’s how they talk—in that country. And whatever you do, you must find a false reason for doing it—in that country. If you rob a man, you must say it is to help and protect him: that’s the ethics—of that country. And everything of value has no value at all—in that country. You must be perfectly commonplace if you want to be a genius—in that country. And everything you like you must pretend not to like; and anything that is there you must pretend is not there—in that country. And you must always say that you are sacrificing yourself in the cause of religion, and morality, and humanity, and liberty, and progress, when you want to cheat your neighbour—in that country.”
“Good heavens!” cried Iliel, “are we going to England?”
— Aleister Crowley, Moonchild (1917), Chapter XX
Poets and Lovers has been living for two years, in an epoch where freedom of art is increasingly under attack. CONTINUE READING / CONTINUER LA LECTURE…
As the 7 other sonnets in this series, this one was probably written around 1885. Again it tells us that only a little girl can relieve the poet’s heart from bitterness and sorrow. CONTINUE READING / CONTINUER LA LECTURE…
My third selection from the collection Long Ago is a sapphic poem. Young girls make offerings to the poetess, who wonders what to give them in return. She will “sing of their soft cherishing” and “of marriage-loves;” the highest praises would crown them, as the rose “is not so good, so fresh as they,” “opening their glorious, candid maidenhood.” CONTINUE READING / CONTINUER LA LECTURE…
Mordre une grenade mûre, sentir le jus rouge couler sur ses joues… amour ultime caché dans un doux écrin. CONTINUE READING / CONTINUER LA LECTURE…
In 1886 Ashby-Sterry published a second collection of verses, The Lazy Minstrel. It included in a slightly modified form several poems from Boudoir Ballads. I have chosen in it an original poem about an unruly little girl who truly behaves like a savage tomboy, now “good as gold,” then “pert and bold,” “naughty but best of girls,” he loves her as she is. CONTINUE READING / CONTINUER LA LECTURE…
