Author for Pigtails in Paint since September 2014; associate editor since November 2015. Administrator of the late Agapeta on WordPress (2015/01/09 - 2019/03/01), and now of Poets and Lovers.
Cicely Mary Barker – A Flower Fairy Alphabet: Fuchsia (1934)
L’amour est vierge, surtout après avoir fait l’amour. D’où l’on voit l’inanité des efforts frénétiques pour empêcher les enfants d’en faire l’expérience, sous prétexte qu’ils seraient innocents : car l’amour représente la chose la plus innocente qui soit. CONTINUE READING / CONTINUER LA LECTURE…
Bryce Cameron Liston – Heading Home – from wooarts
At the point of death, holding a child’s hand, watching her beautiful face, and listening to her footsteps is the poet’s last consolation. CONTINUE READING / CONTINUER LA LECTURE…
Francisco Goya – El sueño de la razón produce monstruos (Le sommeil de la raison produit des monstres), Los Caprichos No. 43 (1799) – Google Art Project, via Wikimedia Commons
Depuis deux ans et demi, la poésie de l’amour anime ce blog tué puis ressuscité, entouré de puissantes forces hostiles, mais soutenu par des amis dénués de pouvoir, souvent cachés. CONTINUE READING / CONTINUER LA LECTURE…
Dick Whittington – Children being taught at Ryan dancing academy, Southern California (1933) – from historyinphotos.blogspot.com
After two years and a half, Poets and Lovers is alive and going on, surrounded by hostile forces. It survived the persecution of its first website provider by the UK police, which finally led to closing down the websites that he hosted. We have now a new provider, aiming to host several art websites suffering from censorship, starting with those suppressed in the UK: Poets and Lovers, Pigtails in Paint, and the sites of Graham Ovenden and of Garage Press. CONTINUE READING / CONTINUER LA LECTURE…
MoonCCat is the pen name of Luc-Santiago Rodriguez, a poet, musician and photographer who finds his inspiration in the 19th century. He puts into music poems by 19th century French and English poets, defends the classical French alexandrine against contemporary “free verse,” and practices argentic photography instead of digital one. He is also a specialist in absinthe, the beverage celebrated by 19th century poets and artists, which was banned during most of the 20th century; at one time he managed an absinthe shop in Paris, Vert d’Absinthe. CONTINUE READING / CONTINUER LA LECTURE…
Alex Stevenson Diaz – Young Girl – iamachild.wordpress.com
Rivières enflammées ! Désirs dévastateurs ! Torrents d’amour fou ! Ne pouvez-vous pas comme l’eau apaiser les brûlures et la soif ? Ne portez-vous aucune consolation ? Car voici que vient la menace… CONTINUE READING / CONTINUER LA LECTURE…
Bertha Wegmann – Portrait of a young girl – from tuttartpitturasculturapoesiamusica.com
A charming poem about the love of a child. To admire her blue eyes is the poet’s bliss, to take her hands is the desire of his heart, and, as he repeats three times, her kiss will heal his pains. CONTINUE READING / CONTINUER LA LECTURE…
William-Adolphe Bouguereau – Repos dans les récoltes (1865) – from Wikimedia Commons
I present today my third and last selection from The River Rhymer. Near a river, at hay time in the sunny summer, a young girl captivates the poet, who remains at her feet. CONTINUE READING / CONTINUER LA LECTURE…
Pierre-Auguste Renoir – Petite fille à la gerbe (1888) – Wikimedia Commons
Le poète français Charles Marie René Leconte de Lisle (1818–1894) est considéré comme un chef de file du mouvement parnassien en poésie ; en réaction au lyrisme subjectif et sentimental du romantisme, celui-ci prônait un art impersonnel et la recherche de la beauté formelle, des poèmes ciselés comme des sculptures, préfigurant le slogan de « l’art pour l’art ». CONTINUE READING / CONTINUER LA LECTURE…
I present now the last of the 8 “Sonnets of a Little Girl.” This 8th one is not about childhood, there is no little girl in it; it rather tells about disappointment and death. A modified version of it, with the title “Epilogue,” appeared in The Savoy, No. 7, November 1896, page 87. With the title “A Last Word,” it was included as the last poem in verse in Dowson’s final collection Decorations: in Verse and Prose, published in December 1899, two months before his death. CONTINUE READING / CONTINUER LA LECTURE…