Crowley’s The Sword of Song (1904) consists mainly of two long poems, ‘Ascension Day’ and ‘Pentecost,’ both critical of Christianity; they are preceded by an Introduction and followed by lengthy notes. The title, with its subtitle and long dedication, is itself rather ironic: CONTINUE READING / CONTINUER LA LECTURE…
In Crowley’s collection Oracles, the poem “Ode to Sappho” is immediately followed by its companion “In a lesbian meadow,” on the same topic of love between girls. Through these beautiful verses shines a soft eroticism, mixing tender kisses with the beauties of nature—indeed, arising from true love. CONTINUE READING / CONTINUER LA LECTURE…
Crowley’s 1905 collection Oracles, subtitled The Biography of an Art, consists of unpublished poems written between 1886 and 1903. According to The 100th Monkey Press, Crowley had planned to publish a special limited edition, printed in one hundred copies only, and containing additional matter; however it never materialized. Moreover, ten poems in it were originally meant to appear in a separate collection titled Green Alps, which was never published, as a fire at the publisher destroyed it. CONTINUE READING / CONTINUER LA LECTURE…
The collection Oracles, subtitled The Biography of an Art, consists of unpublished poems written by Crowley between 1886 and 1903. It was first published in 1905, then included in Volume II of The Collected Works of Aleister Crowley (1906), where the editor mentions:
Concerning the title Crowley writes, “The sense is of dead leaves drifting in the dusty cave of my mind.”
My first choice in it is a strange love poem, both sensuous and grim. CONTINUE READING / CONTINUER LA LECTURE…
I give here the last poem in the collection Alice: An Adultery, inspired by Crowley’s passionate affair with Mary Alice Rogers, a married woman. Upon parting, the lovers solemnly vow to love each other all their life, till they die … and after death. CONTINUE READING / CONTINUER LA LECTURE…
The poet sings his beloved and her sweet face. But fear hides the light of her love. Now the kiss is master of fear, so love is stronger than shame, and the climax comes unupbraided. CONTINUE READING / CONTINUER LA LECTURE…
From the collection Alice: An Adultery, a beautiful love poem for Mary Alice Rogers, a married woman with whom Crowley had a passionate affair in Hawaii. In the privately published 1903 edition, there was an 11th stanza , I reproduce it below. In the 1905 edition published by the Society for the Propagation of Religious Truth, it was titled “The Poem”, so in the 1906 edition of Crowley’s Collected Works, there was a footnote to the title, indicating “The poem in question.” CONTINUE READING / CONTINUER LA LECTURE…
In the post “Components of Love” I presented the three types of love and friendship according to the ancient Greeks:
The ancient Greeks also used the word Agape for affection and tenderness, similar to Storge. Then in Christianity, this word evolved to mean a purely spiritual, selfless and undemanding love embracing all humanity; in fact, such an ideal love is extremely rare in real human beings. CONTINUE READING / CONTINUER LA LECTURE…
Around 1900, the occultist Aleister Crowley sailed for Hawaii aboard the Nippon Maru. On the ship he met a married woman named Mary Alice Rogers and had a love affair with her. He wrote a series of poems about the romance, which he collected in a booklet entitled Alice: An Adultery. It was published privately in 1903, then a second edition was published by the Society for the Propagation of Religious Truth in 1905. CONTINUE READING / CONTINUER LA LECTURE…
Today I present an erotic poem, probably full of hidden sexual meanings. Maybe the title refers to the Mons Veneris, and the four last verses of the first stanza also seem to hint at some sexual acts whose description was considered too obscene to be told explicitly in the early 20th century. The poem ends in ecstasy with a reference to Satan and Hell, as the latter seems to be more pleasurable than the Heaven of religion. CONTINUE READING / CONTINUER LA LECTURE…
