Jules Bastien-Lepage – Pauvre Fauvette (1881) – from Amazon
I present today my last selection from the collection Rosa Mundi, and other love-songs, the ninth poem in it. The poet remembers courting a young peasant girl, “too happy to be loved,” who kissed him “frank and straight.”
Cicely Mary Barker – The Blackthorn Fairy – from Etsy
In 1796, Brooke Boothby published Sorrows. Sacred to the Memory of Penelope, a collection of poems in memory of his deceased daughter Penelope. The collection consists of 24 numbered sonnets, two longer poems both called Elegy, and a final 12-verse poem called Stanzas. In two previous posts I transcribed 7 of the 24 sonnets. Now I reproduce one of its two elegies. In this sad poem, Boothby longs to die and to have his body deposited by a friend into Penelope’s tomb, so that his ashes can mix with hers. Then, being rid of his body, he imagines his daughter greeting him in heaven, taking him by the hand and crowning him with a wreath of flowers. CONTINUE READING / CONTINUER LA LECTURE…
Voici un poème étrange et triste, évoquant l’inutilité de la vie, paru dans le deuxième recueil de Minou, Le Pêcheur de lune. CONTINUE READING / CONTINUER LA LECTURE…
S.J. Thompson, photographer – The May Queen and her court, New Westminster, BC, Canada (c.1887) – New Westminster Public Library, Heritage Database, accession number 2728
About April 1836, Harriet Virginia Scott, a schoolgirl in Richmond, asked Edgar Allan Poe to compose a poem for her to recite to the Queen of the May. He complied by writing four or five stanzas. About eighty years later (between 1911 and 1917), she remembered one of them and sent it to J. H. Whitty, who published it in the second edition of Complete Poems (1917). CONTINUE READING / CONTINUER LA LECTURE…
Photographie de Neil Wilkin – Glass 2 (blue flower fountain) – provient de pictify.saatchigallery.com
Buvons l’amour, sans modération, dans une coupe en forme de fleur. Enivrons-nous à sa fontaine, douce offrande de la demoiselle. CONTINUE READING / CONTINUER LA LECTURE…
Thomas Banks – monument to Penelope Boothby (1793) – photograph by Pasquale Apone (2009)
In a previous post, I copied 3 sonnets from Sorrows. Sacred to the Memory of Penelope, the collection of poems written by Brooke Boothby in memory of his daughter Penelope, who died one month before her sixth birthday. Here I transcribe three more sonnets (and correct another). CONTINUE READING / CONTINUER LA LECTURE…
Javad Soleimanpour (2002) – from tuttartpitturasculturapoesiamusica.com
A beautiful love poem, the eleventh from the collection Rosa Mundi, and other love-songs. Here ‘darkmans’ means ‘night’ and is an old English canting word (according to the editor). CONTINUE READING / CONTINUER LA LECTURE…
Thomas Banks – monument to Penelope Boothby (1793) – from Wikimedia Commons
Sir Brooke Boothby (1743–1824), seventh Baronet, and his wife Susanna (1755–1822) had a daughter, Penelope, born on April 11, 1785, their only child. The little girl is renowned for her portrait made by Sir Joshua Reynolds in July 1788. As writes Estelle Hurll in her booklet about Sir Joshua Reynolds: CONTINUE READING / CONTINUER LA LECTURE…
Photograph by Frederick Hollyer – The Idiot Club of Kolk; left to right: Karin Stenbock, Eric Stenbock with his dachshund Trixie, Richard von Wistinghausen, Theophile von Wistinghausen – from Of Kings and Things, D. Tibet editor
My second choice from Myrtle, Rue and Cypress (1883), Stenbock’s second collection of verses, is a poem in the spirit of carpe diem, honouring love, youth and wine. Here he joins Baudelaire, who also extolled wine and drunkenness, and indeed both authors experienced the pleasures of alcohol and drugs. As in many of Stenbock’s poems, the gender of the beloved young person is left unknown, but it was most probably a boy. CONTINUE READING / CONTINUER LA LECTURE…