Tag: love

Annabel Lee, by Edgar Allan Poe

W.S. Hartshorn - Edgar Allan Poe
W.S. Hartshorn – Edgar Allan Poe (1848) – from “Famous People” collection, Library of Congress, Prints and Photographs Division [LC-USZ62-10610]

Edgar Allan Poe (January 19th, 1809 — October 7th, 1849) is an American writer known for the strangeness both of his writing and of his life. He was named Edgar Poe, the second child of two traveling stage actors; his father abandoned his family in 1810, and his mother died on December 8th, 1811. His father was also dead then, and Edgar was taken into the home of John and Frances Allan, who served as a foster family, though they never formally adopted him. From them he got his middle name Allan. The family moved to Great Britain in 1815, then back to Richmond, VA, in 1820, so Edgar was educated in both countries. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

Hilda Conkling’s dreams of love

Jeremy Lipking - Adrift
Jeremy Lipking – Adrift (2013) – from Art Renewal Center

LOVELINESS
by Hilda Conkling

LOVELINESS that dies when I forget
Comes alive when I remember.

In previous posts, I have presented two themes from Poems by a Little Girl (1920), Hilda Conkling’s first volume: dreams, often involving fairies and nature, then rose petals, which she associates with her heart, or with a dove representing love. In her second volume Shoes of the Wind (1922), the topics of dreams, roses and love become united within two beautiful poems, but here love becomes more personal. Indeed, Hilda was no more a little girl, she entered into puberty, so her fantasies and desires took a more womanly form. Also the style of her poetry matured, with a quasi-adult sophistication. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

The summit of the amorous mountain, by Aleister Crowley

August von Pettenkofen - Study of a Nude Young Girl
August Xaver Karl von Pettenkofen – Study of a Nude Young Girl – from The Metropolitan Museum of Art, via Wikimedia Commons

Today I present an erotic poem, probably full of hidden sexual meanings. Maybe the title refers to the Mons Veneris, and the four last verses of the first stanza also seem to hint at some sexual acts whose description was considered too obscene to be told explicitly in the early 20th century. The poem ends in ecstasy with a reference to Satan and Hell, as the latter seems to be more pleasurable than the Heaven of religion. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

Écoute au coquillage, par André Breton

Léopold Morice - Fillette à la coquille
Léopold Morice – Fillette à la coquille, Pont Alexandre III, Paris, France (de Wikimedia Commons)

J’ai expliqué précédemment qu’André Breton ne croyait pas aux capacités des enfants, il nia d’emblée que Minou Drouet eut pu écrire ses poèmes à 8 ans, et j’ai présenté un de ses rêves où des fillettes apparaissent infantiles et d’une certaine façon effrayantes.

Probablement la seule fillette qu’il aima fut sa propre fille Aube. Dans son livre L’amour fou il relate sa rencontre avec Jacqueline Lamba le 29 mai 1934, dans un climat étrange de prémonitions et de symboles. Les deux tombèrent follement amoureux et se marièrent le 14 août. Leur fille Aube naquit le 20 décembre 1935, et Breton s’attacha à son enfant. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

Younger Girl, by John Sebastian

Hugh Shirley Candyside - John Sebastian in concert
Hugh Shirley Candyside – John Sebastian performing in concert in East Lansing, Michigan, August 1970 – from Wikimedia Commons

John Benson Sebastian is an American singer and songwriter born in 1944. In 1965 he formed the band The Lovin’ Spoonful, for which he sang and played the guitar, also he authored all their hit songs during that period. He left the band in 1968 to start a solo career that went on until now. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

De Quincey et la petite fille misérable, d’après Baudelaire

Zhenya Gay - illustration for Confessions of an English Opium-Eater by Thomas De Quincey
Zhenya Gay – illustration pour Confessions of an English Opium-Eater by Thomas De Quincey (1950) – The Heritage Press, New York

Après le recueil de poèmes Les Fleurs du mal, l’œuvre la plus célèbre de Charles Baudelaire est l’essai Les Paradis artificiels, publié en 1860, consacré à l’usage récréatif des drogues, plus précisément du haschisch et de l’opium. Il connut un large succès, il reste un exposé classique des effets de la drogue, comme l’exaltation, puis la dépendance et la souffrance. D’ailleurs l’expression “paradis artificiels” est couramment utilisée pour désigner l’utilisation de drogues (en particulier hallucinogènes) pour stimuler l’imagination ou enivrer les sens. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

Un Inuit romantique, par Peter Freuchen

Peter Freuchen and Knud Rasmussen
Peter Freuchen et Knud Rasmussen – Photo: Arktisk Institut

L’explorateur et ethnologue Peter Freuchen (1886–1957) vécut longtemps dans le Nord-Groenland, l’explora de fond en comble, commerçant avec les Inuits et se liant d’amitié avec eux. Il épousa même une fille Inuite, Navarana. Vivant dans l’environnement le plus hostile de la Terre, les Inuits avaient sur de nombreuses questions un point de vue très pragmatique. En particulier ils considéraient le mariage comme l’association économique et familiale d’un homme et d’une femme, certes basée sur des liens de solidarité, mais n’impliquant aucune fidélité amoureuse ou sexuelle ; souvent les hommes se prêtaient mutuellement leurs épouses pour des motifs purement utilitaires, et une femme pouvait considérer la prostitution avec les Européens comme une simple affaire commerciale, obtenant en cela l’approbation de son mari. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

Shoes of the Wind, Hilda Conkling’s second collection

Hilda Conkling (1922)
Artist unknown – Hilda Conkling (1922) – from Shoes of the Wind

Two years after Poems by a Little Girl in 1920, Hilda Conkling published her second book of verses: Shoes of the Wind, A Book of Poems. She was 12 years old when the book appeared, and the poems in it were probably written between the ages of 9 and 12. They show a great maturity, with a literary style generally close to that of adulthood. On the other hand, they seem more conventional than her early works in the first volume, where she could as a child let her imagination flow unfettered. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 2

Le beau navire, par Charles Baudelaire

William Stott of Oldham
William Stott of Oldham – Wild Flower (1881)

En août 1847, Baudelaire eut une liaison avec Marie Daubrun, née en 1827 sous le nom de Marie Bruneau. Plusieurs poèmes de son recueil Les Fleurs du mal lui sont consacrés, dont celui-ci, où il la décrit comme une jeune adolescente, à la fois enfant et femme. On notera que les trois premières strophes sont répétées dans les quatrième, septième et dixième. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0

The First Reformer, by Nathalia Crane

Janet Weight Reed - magical hummingbird
Janet Weight Reed – magical hummingbird – from jcrhumming.wordpress.com

The fourth part of Lava Lane, and Other Poems (1925), titled Saints and Reformers, contains six poems. Three of them explicitly mock religion. “Sunday Morning” tells of God’s activities at that moment, such as “Counting the Yiddish babies” or “Waving the popcorn scepter,” and finally “God, on a Sunday morning, / Reaching the dotage stage.” In “The Making of a Saint,” a woman dies in a garret, so “The lords of the rafters were sorry— / The spider, the moth, and the mouse,” and they manage to obtain some advantages for themselves and their garret by making her a saint. In “The Edict,” an editor advises a saint on how to write his story, so that it will be widely read. CONTINUE READING / CONTINUER LA LECTURE…

Posted on by Christian 0