The Slackers are an American ska band, formed in Manhattan in 1991. After making demo cassettes in 1992 and 1993, they released their first studio album Better Late Than Never in 1996; it was then remastered and re-released with three additional tracks in 2002. The album’s third track “Pedophilia” is a humorous piece making fun of the usual clichés: an old man peeps at a little girl, and her mother tells her to go outside. CONTINUE READING / CONTINUER LA LECTURE…
Chester Arthur Burnett (1910–1976), known as Howlin’ Wolf, is one of the greatest American blues singers. In 1960 Willie Dixon (1915–1992), the bass player in his band, wrote for him the song “Back Door Man,” which was recorded in Chicago in June, then released in 1961 as the B-side to “Wang Dang Doodle.” CONTINUE READING / CONTINUER LA LECTURE…
The American rock band Red Hot Chili Peppers released their second studio album Freaky Styley in August 1985. Its 11th track, the song “Catholic School Girls Rule,” is inspired by an event in the life of the band’s singer Anthony Kiedis, which he told in his 2004 autobiography Scar Tissue (written with Larry Sloman, and published by Hyperion). A 14 years old girl who attended a local Catholic school met Kiedis backstage, and he slept with her while on tour before and after discovering her age. Genius quotes the book about their first meeting: CONTINUE READING / CONTINUER LA LECTURE…
The rock band Faith No More was formed in 1979 in San Francisco, California. It released its third studio album The Real Thing on June 20, 1989. I like its 11th and last track, a funny song titled “Edge of the World,” which was also released as a single in 1991. The band’s lead singer Mike Patton wrote the lyrics, while the the bass player Billy Gould, keyboard player Roddy Bottum and drummer Mike Bordin composed the music. CONTINUE READING / CONTINUER LA LECTURE…
Dans ce poème dédié à Lucette Descaves, son professeur de piano qu’elle appelait « mon Amour », Minou Drouet lui retourne avec beaucoup d’humour le reproche que cette dernière lui avait fait d’être influençable. En fait, dit-elle, toute la nature est influençable, comme la mer qui porte le reflet du soleil. CONTINUE READING / CONTINUER LA LECTURE…
Crowley’s The Sword of Song (1904) consists mainly of two long poems, ‘Ascension Day’ and ‘Pentecost,’ both critical of Christianity; they are preceded by an Introduction and followed by lengthy notes. The title, with its subtitle and long dedication, is itself rather ironic: CONTINUE READING / CONTINUER LA LECTURE…
In 1928 appeared Nathalia Crane’s fourth collection of poetry, Venus Invisible and Other Poems. Again, the title comes from one of the poems, but in this case not a noteworthy one. In my opinion, the most important work in the book is the long poem “Tadmor,” a strange oriental love tale with dreams and premonitions, ending in mutual worship; it is organised like an opera, alternating story, dialogues and chorus songs. In this book, the 15-year-old author shows her fully adult sophistication, which she had displayed growingly in her previous collections of verses. CONTINUE READING / CONTINUER LA LECTURE…
In a previous post, I presented “The First Reformer,” the first poem in Saints and Reformers, the fourth part of Lava Lane, and Other Poems, her second volume published in 1925. Then I mentioned three others that explicitly mock religion: “Sunday Morning,” “The Making of a Saint” and “The Edict.” I reproduce them here. CONTINUE READING / CONTINUER LA LECTURE…
In this humorous little piece, Nathalia imagines organising a brigade of little girls in charge of watching their fathers and preventing their seduction by beautiful young women. Here Flatbush is a neighbourhood of Brooklyn in New York City. CONTINUE READING / CONTINUER LA LECTURE…
